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READERS COMMENTS

“I really liked how you describe how the industry works from an actual “viewpoint” instead of a lot of other literature out there just stating what it is. Keep up the writing. I’ve seen some clips through YouTube, and look forward to hearing some more commentary on the music industry from you. You make very good points and present them well.”
Eric Anderson, Minnesota, USA

“...as a young independent musician who feels as though he has strong songs to offer, but doesn’t know where to begin with licensing, your book was extremely valuable”
James M., Richmond, Virginia, USA

“...I wanted to say how lucky I felt stumbling upon this publication...You could be charging way more for this, but I’m glad you have kept the price reasonable so that anyone who is serious about making money from their music through film and television can access this valuable information.”
Arnold S., Toronto, Canada

“...I used to be completely lost in all the legal jargon. Your guide explains clearly what everything is.”
John F., Los Angeles, USA

“...I just finished reading your guide and let me say a big THANK YOU! It’s been a huge help to my indie label.”
Peter H., London, UK

“Loved your ebook about licensing. Thanks for writing it down and sharing it. It answered a lot of questions I had about the process, especially the section on negotiations.”
Dion Tilley, Creative Director, Standard Rich & Famous

“...Your guide has helped me make so many more deals than I ever could have without it.”
Rob B., Vancouver, Canada

“I’ve been pretty involved in pitching to music supervisors over the past three years but there were still PLENTY of useful insights that I enjoyed reading... I love hearing different thoughts on things and there is always something new to learn in this ever changing industry.”
Glenn McMullen, Nova Scotia

“Inspiring.”
Jessica, Sweden

“It is valuable information — and I appreciate it!”
Tom Bakas 
“What a great resource! Thanks for writing it. You RULE!”
Pebber Brown, Claremont, CA

“Thanks again for creating such a down to earth reference...”
Robert, Cincinnati, OH

EDUCATIONAL FEEDBACK

"Every year, I'm excited to have Ron address my entire freshman Music Industry class. His conversations are crisp, funny and insightful. The purpose of these events is to give my freshmen a chance to understand various career paths in the music biz. Since Ron started visiting with us, I am beset with students who want to be music supervisors!" - Dr. Rich Meitin Director of Music Industry Studies
Minnesota State University

“Ron Proulx pioneered the study of music licensing for film and television at the post secondary level and features his book 'How To License Your Music Into Movies and Television' in his course 'Music in Film' at Harris Institute in Toronto, Canada. The book is invaluable in helping students understand the often complex areas of licensing...”

- John Harris
President, Harris Institute

BAD NEWS

The music industry is in turmoil. Getting a record deal is part of living in yesterday’s industry, and it is probably never coming back.

Most artists, songwriters, and indie label owners are now on their own to figure out how to have a career. Nobody needs to remind anyone that sales are down and theft is up, or that many people working in music feel like the sky is falling.

GOOD NEWS

There has never been a more exciting time to have the world discover great music. Every year, new artists are introduced to new fans by way of a song in a movie or on television.

And, every time a song appears in a television show, it generates income for songwriters and publishers. How incredible is that?

MORE GOOD NEWS: LICENSING IS A HUGE BUSINESS

Every year, film and television producers spend several billion dollars writing and producing new programming. Worldwide there are thousands of television, cable and satellite stations requiring programming, and they simply have got to fill up that airtime, and - as you see yourself when you watch movies and television - the use of music is never-ending.

Whether it’s comedy, drama, docs or kids’ shows, the one thing all these programs have in common is that they all need and use music...TONS OF MUSIC..so get with the program...license your music into movies and television.

Learn how it all works...

This eBook (68 page downloadable PDF) explains Film/TV Music Licensing using easy to understand language. If you wish to learn about one of the great growth areas of the music business then you should know how to do it right.

This eBook shows you:

* How licensing works...

* How you get paid...

* Who to send your music to...

* Etiquette, Terms, Definitions, and Jargon

* What the key deal points are...

...and much more.

ABOUT THE AUTHOR

Ron Proulx owns Arpix Media, and has been Music Supervisor on over 95 films and 500 episodes of TV, and is responsible for having licensed well over 1,400 songs on shows that are broadcast on HBO, CBS, NBC, ABC, CTV, CBC, Disney, Family, Lifetime, and more. IMDB CREDITS

this guide usually sells

for $25 but is

on sale now at this reduced price!

Ron has been a recording artist, songwriter, artist manager, indie label owner and publisher. None of that helped him figure out music licensing, but once he became a Music Supervisor he gained knowledge others on the “outside” simply don’t have. He knows how the music licensing business works and he’s willing to share this information with others.

Watch clips

of Ron Proulx

reading from the book

TO VIEW SEVERAL OF THE FIRST PAGES OF THE GUIDE FOR FREE CLICK HERE